The Rainbow Circle Physical Mediumship Sittings: The Rainbow Home Circle

Sitters:
Kath & Terry Nelson.
Tom Nelson.
Helen & Ross Henderson.
Malcolm & Mary Smith.
James Smith.
Pam Allinson.
Alison Sherwood.
Anne Murray.
The circle was opened this evening with a Prayer by me (Terry).

In recent weeks we have had the privilege of listening to Red Cloud play the shamanic drum when opening the circle - tonight was no different, within seconds of us welcoming Red Cloud to the table, the drum and beater were requested and for the next few minutes we listened and watched as the drum was played. First on the table, and then up in the air above our heads, then over to Mary where it was placed upon her head, all the time being beaten rhythmically by Red Cloud .

Moments later the drum is off Mary’s head and over to Kath, where it rested on her hip (still being played by Red Cloud) for a few moments. From Kath back to the table and then over to Malcolm (beating faster now). The drum comes to rest between Malcolm and Pam - “It sounds like a bass drum.” says Malcolm as the beater spins round in heart shaped circles whilst beating on the drum.

The drum now seems to vibrate as Red Cloud continues to beat - seconds later Pam says “He must be doing it (playing drum) with his hands because the beater is on my knee now.” The tone has definitely changed on the drum, and it does sound like a hand beating it now - within seconds it is two hands we hear, still with a rhythmic beat. “Brilliant!” say sitters as Red Cloud passes the drum over to me to take away.

The energies were so thick this evening, you could have cut them with a knife - in fact, when Red Cloud finished his drum play his very words were “Energy very thick, enjoy.” I then asks Red Cloud “Is that a good thing (the energies being thick)?” “Yes, excellent.” says Red Cloud.
We thanked Red Cloud and said ‘bye’ until end of evening.

“Good evening Dick, how are you doing.” says sitter as Dick comes to the table - “Fine.” says Dick. [Laughter] within seconds Dick had the table up in the air dancing as one sitter comments on the fact that the room seems to be getting lighter. “Megaphones.” says Dick when the table is seated back in the centre of the circle. “Is my Mother (Mary) here?” asks Kath. “Yes.” says Dick. The megaphones (large trumpets) are placed on the table by me and are immediately picked up by Dick and taken over to Malcolm and Pam.
Dick then places a trumpet on each of their hands and up their arms (their arms being inside the trumpets). At the same time the table is moved over to Kath. Pam and Malcolm tell us that they can each feel a hand squeezing them from outside the trumpets. Dick then blows down the trumpet on Pam’s arm (we can hear this), and Pam tells us that it is hot air that she feels - "Wow, amazing!” says Pam. “Where is the trumpet now?” asks Kath. “He (Dick) is pushing it further up my arm.” says Pam.

Moments later Dick takes the trumpet off Pam’s arm and pushes it onto the trumpet already on Malcolm’s arm. We then hear Dick blow down the trumpets on Malcolm’s arm, followed by a raspberry sounding rendition of ‘On Ilkley Moor Bah Tat’. [laughter]
Malcolm again tells us that he can feel his hand being squeezed through the trumpets. A few seconds later one of the trumpets are off Malcolm’s arm and over to Kath and Mary. I then comment on how very gently Spirit seem to be working tonight.

From Kath and Mary the trumpet rises up and over their heads, we then hear ‘Hello’ from the trumpet hovering over their heads - “Hello.” say sitters. I then ask “Was that a female voice?” “Yes.” says Mary seated next to Kath. Mary then tells us that someone is stroking her head - “Is it Mum (Kath and Malcolm’s Mum)?” asks Mary. The trumpet then nods once for ‘yes’ in answer to Mary’s question.

Malcolm then tells us that the other trumpet is still seated on his arm - dick immediately takes this trumpet off his arm, up in the air, and out of the circle behind Kath and Mary. Seconds later it is back in the circle hovering over the table - we then hear “I always Loved you.” from the trumpet still hovering above Kath and Mary (this was Kath and Malcolm’s Mum ‘Mary’ - we assume she was talking to both of them).
“Beautiful wasn’t it?” says Anne.

One trumpet now comes to rest on my arm whilst the other travels round the circle of sitters, each say ‘hello’ as it passes their faces. “Is that Mum on the trumpet?” asks Malcolm. “Yes.” says Kath. The trumpet moves across the room to Malcolm and Malcolm says “Thank you for that.” as the trumpet strokes his hand. The trumpet now moves over to me, and then to Alison where Alison says ”It’s a very loving and gentle feeling tonight.” - Sitters agree.

Both trumpets are up in the air again, conducting to the background music - “Is that Mum and Dad together?” asks Mary. “Yes.” says Alison. The trumpets separate now, one over to the back wall and one over to the door - seven feet apart, but still flying above us. One starts to spin clockwise and the other spins anti-clockwise in the air behind Kath and Anne - moments later both trumpets are back in the centre of the circle - we now see what looks like a sword fight between the two trumpets, then they both begin to beat very fast on the table-top in unison.

The trumpets are put on my lap by Mary (in Spirit) and Dick - “Are you finished with these?” I ask. “Yes.” says Dick through the table. As I take the trumpets out of the circle behind me, we hear the spare table (seated behind Mary) begin to move - seconds later Dick is bringing the spare table into the circle between Mary and Kath. He turns it upside-down and places it on top of the circle table, both tables then rise up and dance in mid-air in the centre of the circle. I then say “For the benefit of the recording tape, we have light coming in from the window behind me (the blackout tape is letting in light), but it is not affecting the energies at all.”

Both tables are back on the floor now; the top one slides away from the bottom one and over on to Mary’s knee. The other table is then turned upside-down on floor in centre of circle and the one on Mary’s knee is then brought back over (still upside-down) and is placed between the legs of the one on the floor. Both tables begin to rock slightly - We then ask if we may take a photo of this. “Yes.” says Dick.

The red light is put on, and we take a photo with normal flash camera and then digi-cam with red light only. - “Don’t panic Mary.” says Kath as Mary thinks that the top table looks as if it may fall off the bottom table (it was safe as houses, held by Spirit).
As soon as the light is put off the top table lifts away from the bottom one and is taken out of the circle between Anne and Kath by Dick (in Spirit).

Dick then turns the circle table the right way up and says “Got a surprise.” through the table. Dick then says “Bye.” “What! You’ve got a surprise for us, but you’re going?” asks Kath who is very confused. “Yes.” says Dick. I ask Dick “Is the surprise coming after you are gone?” [Dick just laughs through the table] I Then say “Ok Dick, God Bless.” as Dick is obviously not giving anything away in regards to the ‘surprise’. [laughter]

Our next communicator comes to the table, we ask for a name and get “Char…” - “Charlie?” asks Alison (Charlie is Alison’s Father in Spirit) - the table continues to communicate “Charle…” “Charles?” asks Helen. “Yes.” says Charles through the table. I then say “Good evening Charles, welcome - could I ask please, is this Alison’s Charles?” “No.” says Charles through the table. I then ask “Are you new to the circle Charles.” “Yes.” says Charles.
I then ask Charles if he has come to see anyone in particular in the circle, and if so would he like to take the table to that person. Charles says “I am the surprise.” [laughter] and the table then moves across to Malcolm. “The table is sitting on my knee.” says Malcolm. Malcolm then says “I wonder if it is Mum’s Dad. With this the table then begins to rock very excitedly in the centre of the circle - we confirm that it is, in fact, Kath and Malcolm’s Grandfather and the table rocks even more excitedly.

“Hello, it is a nice surprise.” say Kath and Malcolm. Charles then says “I have been watching for a while, fascinating!” “It certainly is.” says Kath. Charles continues “At least better than pit.” I then ask “Oh, the darkness (sitting conditions) you mean?” “Yes.” says Charles. “What has the pit (coal pit) got to do with it?” asks Kath. “He (Charles) was killed at the pit (Rothwell pit).” says Malcolm. “Oh, right.” says Kath.

“Charles, lovely to meet you, I’m glad that you have come.” says Malcolm. Charles then gave Malcolm a personal message with thanks regarding a family matter - all of which was understood by Malcolm, Mary and Kath. “Bye.” says Charles through the table. “God Bless you Charles, thank you for coming.” says Malcolm. [A beautiful surprise it was, so emotional and so evidential of our loved ones’ survival beyond so called ‘Death’]

What we have noticed over the years with our sittings, is that whenever we have a very emotional experience at the table, we always seem to get a child that follows, with laughter to raise the energies again - tonight was no different as our next communicator was young Luke.

“Good evening, God Bless you Luke.” say sitters - “Did you like my picture?” says Luke through the table [last week we took photos in red light and captured young Luke trying to materialize in the energy].
“Loved it.” says Helen. I then say “I nearly missed you Son, you were in the darkness.” [It was only when I altered the brightness of the photo in Photoshop that Luke’s face became visible]

“Trumpet, drum, tambourine.” says Luke when asked if he had anything to say - the red light is put on for us to find the toys and the table rocks excitedly until the light goes off again. As the light goes off the tambourine is up in the air shaking wildly. The trumpet is pushed off the table to the floor by Luke - “Do you want that back?” I ask. Luke does not reply, but says “Stic…” “Sticks (drumsticks)?” asks Kath. “Yes.” says Luke. I realize that I have not put the drumsticks on the table with the other instruments - “The drum is no good without the sticks, is it Son?” says Kath. [laughter] I apologise and put the drumsticks on the table - they are immediately picked up by Luke and he begins to drum, at the same time the trumpet (which I have put back on the table) rises up in the air.

“Thank you Luke.” says Anne as he passes her the trumpet. Luke then pushes the drum over to James, where he continues to drum, at the same time the tambourine is in the air shaking. We then hear a sound, it is Luke blowing through the mouth-piece from the trumpet (he must have taken it off before passing the trumpet to Anne) - the scenario now is, the drum is drumming, the tambourine is shaking and the mouth-piece is being blown all at the same time by Luke.

Luke then begins to play a well know tune (the name of which escapes me) and we all hum along to it - seconds later we hear Anne say “Thank you Luke, just what I needed.” as Luke puts the tambourine on her head in the darkness. [laughter] The drum continues to beat faster now on the table - then it is whisked up in the air with the sticks still beating upon it - all of a sudden Luke stops playing and drops the drum and sticks to the table. He then puts the trumpet mouth-piece on the drum and takes one drumstick over to Mary and strokes her face with it. Kath then says “I’m so squashed (in between Anne and Mary) that you couldn’t get a drumstick between us.”

Luke, bless him, then puts the drumstick between Kath and Mary [laughter], just to prove her wrong. I then say “Spirit, they are so precise.” [laughter] We are now allowed to put on the red light to take a photo of the tambourine which is still seated firmly on Anne’s head - again the table is seen to rock wildly until the light is put off again.

The light goes off and we hear Anne say “Oh, thank you.” as Luke takes the tambourine from her head and begins to shake it in mid-air again. This goes on for about forty seconds, then Mary tells us that her arm is now being raised up by (we assume) Luke - “It’s not me, my hand is here.” says Kath to prove it is not her touching Mary’s arm. Luke then puts the tambourine on Mary’s raised arm - although Mary’s arm is perfectly still, the tambourine is seen to be spinning round very fast whilst on her arm. Suddenly it stops and Luke communicates through the table “Picture.” “You want us to take a picture?” I ask. “Yes.” says Luke.

Again the red light is put on, we take two photos, one with normal flash camera and one with the red light and digi-cam snapshot feature - each and every time we put on the red light the table begins to rock - visible proof of Spirit’s interaction.

The red light goes off and the tambourine is taken from Mary and thrown onto my knee by Luke. “Oh thank you, he (Luke) has taken the trumpet away from me.” says Anne. Luke passes the trumpet over to me to remove from the table - I comment on the fact that he has put the mouth-piece back on it first. “Oh you are a tidy lad.” I say jokingly.

Mary can feel someone touching her shoulder and asks Kath if it is her - “No, that’s my finger on your finger.” says Kath (it must be Luke).
Luke then says “Women!” through the table [laughter] “Cheeky sod.” says Kath jokingly. “Men!” says Anne also joking. “Little boys!” says Helen [laughter] Luke then takes the table over to Helen - “But I love you anyway.” says Helen. [laughter]
“Bye.” says Luke through the table - “God Bless you Luke.” say sitters.

Our next communicator is ‘Pretty Lucy’ - the table is taken by Lucy over to Malcolm. “She loves Malcy.” says Kath - “I love her too.” says Malcolm. “When they (Malcolm and Mary) used to go to Spain, she (Lucy) used to go with them.” says Kath. “Did she?” asks Anne. “Yes, and they knew she was there too (she made herself known to them).” says Kath.
Lucy then communicated through the table “Malcolm, Mary, Marlene (Malcolm and Kath’s sister in Spirit) has been to heal when you sleeping. Some dreams are not just dreams.” I then ask “So Malcolm is actually seeing her (Marlene)?” “Yes.” says Lucy through the table.

Moments later Lucy asks for the keyboard, then rocks the table excitedly until it is placed upon it. We now hear Lucy playing singular keys on the keyboard for a few moments - then she picks it up and places it in Ross’s hands. “Alright, am I holding it again?” asks Ross (Lucy has placed the keyboard in Ross’s hands on several occasions in the last few weeks)

With the keyboard in Ross’s hands Lucy presses a key and an inbuilt tune ‘Oh Susanna’ begins to play - this was not just a random tune as Helen has a sister in Spirit called ‘Susanne’. Moments later the keyboard is up and away from Ross - it is now out of the circle behind Kath and Mary flying above their heads. We hear Lucy play a few more singular notes, then we hear ‘Twinkle Twinkle Little Star’. Seconds later the keyboard comes back into the circle over Kath’s head and comes to rest over the table near Alison.

The tune ‘Old Macdonald Had A Farm’ then begins to play - another tune that was not a random choice as this tune as a personal meaning for Alison. [Laughter] “Thank you very much.” says Alison.
Lucy places the keyboard in front of me, and Ross, (seated next to me) takes it away from the table. Lucy then moves the table over to Malcolm and says “Love you.” through the table. “Yes, I love you too Lucy.” says Malcolm.
Lucy then says “I have a man here with a message for his Mam, but not here.” “So, his Mum’s not here?” asks Kath. “Yes (that‘s right).” says Lucy. “Have you run this past Red Cloud?” asks Kath. “Yes.” says Lucy. “Is he (the man) going to give the message?” asks Kath. “Yes.” says Lucy. I (Terry) then ask “Do we know his Mum?” “Yes.” says Lucy. “Does he want to come forward now Lucy?” asks Kath. “Yes.” says Lucy. “Do you have to go first?” asks Kath. “Yes.” says Lucy.

We said our goodbyes to Lucy and then Lucy left the table - Moments later the young man came forward to give his message for his Mum - due to the sensitive and personal nature of this message, I cannot repeat it here, but what I can say is, that once our young man had given us his name, we immediately knew who he was. He then went on to give us information not known to us, but confirmed by his Mum later on in the evening.

[It was a very emotional time for Kath and Myself and I suspect other sitters also present - and if ever people question why we sit every week in a darkened room and do what we do - it is worth it for the Love we feel in the room when things like this happen. - Thank you Spirit.]

As I said earlier, whenever we have an emotional experience with a communicator, we normally get a young child coming forward straight after to lighten the atmosphere and raise the energies again - well, we don’t just have children that do this - we also have William (Alison’s Great Uncle in Spirit).
Each time William comes to the table he has Alison chuckling with the way he brings proof forward - tonight was no different.

We welcomed William to the table - “Just under the wire.” says Kath jokingly as the circle was very near closing. William, as usual, requested the pencil and A4 paper and we sat in awe as the pencil lifted up from the table and began to write on the paper in the darkness - “No more drawings, your crap at drawing.” says Alison jokingly. [laughter] I then say jokingly “He (William) could have been half-way through drawing a picture there Alison.” “I’m sorry, I’m only joking.” says Alison. [laughter]

“This is amazing!” says Malcolm as William continues to put pencil to paper. After about a minute the pencil is put down on top of the paper - “Is that it William?” I ask. “Yes.” says William. “May we look please?” I ask. “Yes.” says William.

We put on the red light torch, all excited as to what we will find - again William has given Alison a personal message - Alison confirms the proof within the writing. We all laugh at the content of the message, purely because of the way it was conveyed - with pictures as well as text.

“Thank you very much William.” says Alison. We all thank William for coming along - “God Bless you William.” say sitters as he leaves the table.

“Who would ever believe what we have just witnessed.” say I as Red Cloud comes back to the table. I ask Red Cloud if he has anything he would like to say - “I hope you didn’t mind.” says Red Cloud. “About the young man Lucy brought?” I ask. “Yes.” says Red Cloud. “No no, as long as Lucy had your permission, that’s fine.” says Kath.

We are allowed to ask questions of Red Cloud, only Malcolm has a question - “Would it be possible for Mary’s Father to come to the table at sometime?” asks Malcolm. “Maybe.” says Red Cloud (Red Cloud’s answer, we believe, was a ‘maybe’ because Mary’s Father would have to ‘want’ to come to the table - Malcolm and Mary understood this)

Various sitters requested healing for family members and then Red Cloud asked us to close the circle.

The circle was closed with a Prayer of Thanks by Kath - as the Prayer was being said, various sitters had their hands touched by Red Cloud‘s hand on the table.

Terry Nelson.

Below are various photos taken during the sitting - some with normal flash camera, and some with red light and digi-cam snapshot: